· In the introduction to Rip It Up and Start Again, Reynolds mentions that one of his objectives is to reevaluate whether it had been worth devoting his life to writing about music. This book Estimated Reading Time: 9 mins. Rip it Up and Start Again. by. Simon Reynolds. · Rating details · 7, ratings · reviews. Punk's raw power rejuvenated rock, but by the summer of the movement had become a parody of itself. RIP IT UP AND START AGAIN is a celebration of what happened next/5(). Simon Reynolds has a clear and distinct style that follows him throughout his writing, and "Rip It Up and Start Again" is no exception to that rule. The text itself is full of interesting tidbits of information and holds logically together, painting a picture of the late '70s and early /5().
the footnotes for Rip It Up and Start Again: Postpunk by Simon Reynolds. Wikipedia says that "Rip It Up and Start Again: Postpunk is a book by Simon Reynolds on the music genre post-punk". It was released in February , published by Faber Faber and described by The Observer as "a compelling reminder of a time when clever, mischievous, creative people formed bands" and by The New York Times as "exhaustive and exhausting in equal measure". Simon Reynolds is the author of Rip It Up and Start Again: Postpunk and the forthcoming history of glam rock Shock and Awe, due in late summer
Simon Reynolds has a clear and distinct style that follows him throughout his writing, and "Rip It Up and Start Again" is no exception to that rule. The text itself is full of interesting tidbits of information and holds logically together, painting a picture of the late '70s and early '80s more extensive than most books about the era. Rip It Up and Start Again: Postpunk – is a book by Simon Reynolds on the post-punk musical genre and era. It was first released in the UK in April by Faber Faber. The US edition was published by Penguin Books and released in February It is a shorter version, with several chapters either removed or condensed, and without the large number of illustrations in the UK edition. Reynolds notes this was for space and cost reasons. In the introduction to Rip It Up and Start Again, Reynolds mentions that one of his objectives is to reevaluate whether it had been worth devoting his life to writing about music. This book.
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