· This volume examines music in fantasy cinema across a broad historical perspective, from Bernard Herrmann's scores for Ray Harryhausen, through the popular music scores of the s to contemporary scores for films such as The Mummy and the Harry Potter series, allowing the reader to see not only the way that the musical strategies of fantasy scoring have changed over time but also to Reviews: 1. The Music of Fantasy Cinema. Edited by Janet K. Halfyard. (Genre, Music, and Sound Series.) Sheffield, UK: Equinox, [viii, p. ISBN $] Music exam-ples, illustrations, bibliography, index. As the study of film music continues to grow and become more welcomed in main-stream musicology, several series have been. This volume examines music in fantasy cinema across a broad historical perspective, from Bernard Herrmann's scores for Ray Harryhausen, through the popular music scores of the s to contemporary scores for films such as The Mummy and the Harry Potter series, allowing the reader to see not only the way that the musical strategies of fantasy scoring have changed over time but also to appreciate the Missing: Janet K. Halfyard.
9 Scoring Fantasy Girls: Music and Female Agency in Indiana Jones and The Mummy films Janet K. Halfyard and Victoria Hancock; 10 Creating Magic with Music: The Changing Dramatic Relationship between Music and Magic in Harry Potter Films Jamie L. Webster; 11 Superconductors: Music, fantasy and science in The Sorcerer's Apprentice Janet K. Music of Fantasy Cinema by Janet K. Halfyard. Call Number: MLM ISBN: Publication Date: So nice to have scholarship about film soundtracks and more specifically on sci-fi and fantasy! This one is a collection of essays covering early fantasy, current fantasy and flicks in between. The Music of Fantasy Cinema. Edited by Janet K. Halfyard. (Genre, Music, and Sound Series.) Sheffield, UK: Equinox, [viii, p. ISBN $] Music exam-ples, illustrations, bibliography, index. As the study of film music continues to grow and become more welcomed in main-stream musicology, several series have been.
Biography. Dr Janet K. Halfyard (more commonly known as Steve) is Head of BMus programmes at RCS. Her research is mainly focused on music in horror/ supernatural and superhero film and TV, and publications include Danny Elfman’s Batman: a film score guide (Scarecrow Press, ), Sounds of Fear and Wonder: Music in Cult TV (IB Tauris, ) and the edited collections Music, Sound and Silence in Buffy the Vampire Slayer (Ashgate, ) and Music in Fantasy Cinema (Equinox, ). The Music of Fantasy Cinema. Edited by Janet K. Halfyard. (Genre, Music, and Sound Series.) Sheffield, UK: Equinox, [viii, p. ISBN $] Music exam-ples, illustrations, bibliography, index. As the study of film music continues to grow and become more welcomed in main-stream musicology, several series have been. Music of Fantasy Cinema by Janet Halfyard, , available at Book Depository with free delivery worldwide.
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