Equinox, - Performing Arts - pages. 0 Reviews. Commissioned and edited to appeal to a crossover Film and Music Studies readership, Terror Tracks is an anthology that analyses the use of Edition: illustrated. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre. The anthology shows the various patterns of use an inflection in a range of scores - orchestral, popular, rock and electronic - and how these relate to non-musical sound. Psycho-analysis: form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki An audiovisual foreshadowing in Psycho / Scott Murphy Sound and music in Hammer's vampire films / Michael Hannan Creative soundtrack expression: Toro Takemitsu's score for Kwaidan / Kyoko Koizumi Prog rock, the horror film and sonic.
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Psycho-analysis: form and function in Bernard Herrmann's music for Hitchcock's Masterpiece / James Wierzbicki An audiovisual foreshadowing in Psycho / Scott Murphy Sound and music in Hammer's vampire films / Michael Hannan Creative soundtrack expression: Toro Takemitsu's score for Kwaidan / Kyoko Koizumi Prog rock, the horror film and sonic. The Resource Terror tracks: music, sound and horror cinema, edited by Philip Hayward, (electronic resource). Terror Tracks: Music. Sound and Horror Cinema. Edited by Philip Hayward. London, Oakville: Equinox. pp. ISBN (paper back).
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